This Viennese guitarist has been working quietly, in all senses of the word, for just over a decade now. Samarium is his fourth solo release in that time and showcases a patience and clarity of technique. As the lengthy title hints, a tonally complex yet scrupulously observed phenomenon continually unfolds until it inhabits a wide vista of sound. In the musical world this is revealed through initially delicate and deliberately plucked notes against a rising hum of chorus. Stigler stretches the first two long pieces into divided movements, suggesting natural process, before releasing a more synthesized arrangement for radio static saturated guitar and piano harmonics. Stigler’s compositions have a little in common with Oren Ambarchi’s more restrained moments or Giuseppe Ielasi at his least abstract. But truthfully his music is on it’s own track… one that is less interested by the density of structures and with a simplicity that is more about clarity than minimalism for it’s own sake. These are themes for traveling deep into the heart of things or observing the sweep of great distances.Karate Joe
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