In terms of classifying this group of improvisers the term “shaggy dog” is the first that leaps to mind. Slapping together two Boredoms members and an ex-Reynols survivor is a sure way to destabilize any musical economy. Opening with a shattered window of guitar exploration by Courtis and Yamamoto, the second track steps away from the wreckage and lets Yoshimi concentrate on vocal looping and a toy factory of percussive hints. The last and longest takes all the elements, the explosive guitars, wavering keylines and testifying vocals and lets them ebb and fly. There is a patience that translates to a kind of winding-up of energy between outbursts, but even that is not exactly subtle. At the height of efficacy the trio is not unlike the jack-in-the-box you can feel coiled and waiting, but still knocked back by the sudden pop-out.Public Eyesore
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