Mark Templeton enters the landscape, and the landscape enters him, and on and on. His cyclic synthesis erases logic that suggests cutlery is non-musical or that a guitar loop isn't living in a tree outside your bedroom window. Templeton lets indoor and outdoor sounds through a revolving door of wavering electronics and fragile melodies to create a kind of "day in the life" portrait of young man as prairie electronics artist. Collaborating with Templeton on the DVD portion of Acre Loss is fellow Edmontonian and filmmaker aAron Munson. The visuals, which also served as backdrops at festival concerts such as the 2007 edition of Mutek, suit the abstract/referential balance of the audio. Ice and snow are layered over leafless branches and frosted windows. Human figures are shown in glimpses or fragments. Only on pieces like “1 is to one as…” are things slowed and steadied enough to pause and observe, which in this case is the ritual of coffee making, a process that is echoed in sound moments throughout the album. From sound one it is one of the most evocative and complete marriage of audio and visual elements I’ve seen in many years.Anticipate
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